No 30 (2020): From Language to Semiotic Productions. The enunciation: the image and other semiotic forms | E|C

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Edited by Maria Cristina Addis and Stefano Jacoviello

Published: 2020-12-23

Articoli

Index

Editorial staff
- pdf (Italiano)
Introduction

Maria Cristina Addis, Stefano Jacoviello

1-13
- pdf (Italiano)

Section 1

Structuration and enunciation

Daniele Barbieri

14-19
- pdf (Italiano)
The non-verbal enunciate between information content and enunciation

Giorgio Lo Feudo

20-25
- pdf (Italiano)
Enunciation and gestures. Communicating by images

Moira De Iaco

26-31
- pdf (Italiano)
Theatrical enunciation between embodiment and visual semiotics

Massimo Roberto Beato

32-42
- pdf (Italiano)
Accessing to “read-writing”. Production of signs, enunciation, exaptation

Paolo Martinelli

43-51
- pdf (Italiano)

Section 2

Studium/Punctum. The spectator’s enunciative shift

Tiziana Migliore

52-64
- pdf (Italiano)
Enunciation and punctum: ecology of the local and spectacularity

Marion Colas-Blaise

65-72
- pdf (Français (France))
The model, the painter, the spectator and their dance. Foucault as spectator/reader of Velázquez’s Las Meninas

Filippo Silvestri

73-80
- pdf (Italiano)
Vision and clarvoyance in Derrida and Deleuze: representation in action

Julia Ponzio

81-87
- pdf (Italiano)
Positionings of the memory

Mario Panico

88-96
- pdf (Italiano)

Section 3

The cinematographic signs in Deleuze and Tarkovskij

Andrius Gudauskas

97-104
- pdf (Italiano)
Semiotics of the gazes and metalevels in filmic enunciation as an interpretative problem

Bruno Surace

105-112
- pdf (Italiano)
Seeing the listening. The audiovisual enunciation in R. Murray Schafer’s Listen/Écoute

Emiliano Battistini

113-122
- pdf (Italiano)
Artificial gazes: strategies of enunciation in the machine’s point of view

Francesco Mazzucchelli

123-134
- pdf (Italiano)

Section 4

The proof of enunciation. Digital photography, deepfake, and the refusing or renegotiation of the document

Riccardo Finocchi, Antonio Perri, Paolo Peverini

135-144
- pdf (Italiano)
Effects of truth in journalistic pictures

Marianna Boero

145-152
- pdf (Italiano)
Strategies of opacity and praxis of enunciation in the photographic discourse. On three Man Ray’s “portraits”

Francesca Polacci

153-162
- pdf (Italiano)
Enunciation and passions in the screenplay text

Paolo Braga

163-175
- pdf (Italiano)

Section 5

“Watch more”. Strategies of enunciation in the video-on-demand platforms

Massimiliano Coviello, Valentina Re

176-189
- pdf (Italiano)
XXL thresholds. The opening credits of TV shows on weight loss

Alice Giannitrapani, Ilaria Ventura Bordenca

190-200
- pdf (Italiano)
New forms of seriality, new formulas of enunciation: Bandersnatch, a case study

Francesco Piluso

201-207
- pdf (Italiano)
The editorial enunciation. An analysis of articles on digital newspapers

Rossana De Angelis

208-217
- pdf (Français (France))

Section 6

Enunciation malgré tout. Some more reflections on Calabrese’s “problemi di enunciazione astratta”

Angela Mengoni

218-228
- pdf (Italiano)
The spectacle of re-enactment and the critical time of testimony in Iñárritu's Carne y Arena

Luca Acquarelli

229-238
- pdf (Italiano)
Augmented Reality: digital enunciations in a museum

Ottavia Mosca

239-248
- pdf (Italiano)
The body of evidence. Martyrdom and performance art according to Marina Abramović

Maria Cristina Addis

249-257
- pdf (Italiano)

Section 7

The Nixon-Kennedy debate: a cold case to be reopened

Franciscu Sedda

258-266
- pdf (Italiano)
Look: the people! The destiny of a vision from socialism to nowaday populism

Stefano Jacoviello

267-280
- pdf (Italiano)
Post-veracity. Aesthetics in politics, rhetoric of everyday life, life-styles

Giacomo Tagliani

281-288
- pdf (Italiano)
Salvini is one of “us”: a (former) minister, an ordinary citizen. Praxis of enunciation and dynamic transformation of meaning

Giulia Nieddu

289-296
- pdf (Italiano)
Looking closer: forms of the sacred, traces of the truth. Signs, informers, re-enunciations in the Holy Shroud’s discourse

Gabriele Marino

322-328
- pdf (Italiano)

Section 8

The visual testimonies of the “new” saints: the case of the holy scientists

Jenny Ponzo

297-306
- pdf (Italiano)
The stigmata of Padre Pio: absolutive enunciation between medicine and mysticism

Francesco Galofaro

307-321
- pdf (Italiano)
Visual glossolalia. The spiritistic photography between science and religion

Tatsuma Padoan

329-344
- pdf (Italiano)
The divine sphere and its hidden projections in the Renaissance sacred space

Alessandra Pozzo

345-355
- pdf (Italiano)
Figures of human initiation. Humanity and Holiness in Auguste Comte's Positivism

Gabriele Vissio

356-365
- pdf (Italiano)

Section 9

Infopoetry: the poetic enunciation of data

Salvatore Zingale

366-373
- pdf (Italiano)
Data, interactivity, immersion. Some notes between data visualization and media visualization

Valentina Manchia

374-383
- pdf (Italiano)
Glitch. Semantics of computational enunciation

Federico Biggio

384-394
- pdf (Italiano)
Graphic and spatial devices in the deciphering of ancient scripts: the cuneiform writing

Roberto Pellerey

395-404
- pdf (Italiano)

Section 10

The Ideal Cities and the status of images: enunciation and figuration of the urban space from the Middle Ages to Classicism

Nicolò Savarese

405-420
- pdf (Italiano)
The processes of enunciation in the city as a text

Antonio Opromolla

421-427
- pdf (Italiano)
Environmental Graphic Design and the semiotic approach. The case study of a new square on the outskirts of Assisi

Benedetta Terenzi, Paolo Belardi

428-440
- pdf (Italiano)
The image of the city in the strategies of enunciation the touristic discourse: the case of FUTOUROMA

Luigi Virgolin

441-449
- pdf (Italiano)

Miscellanea

“Déshabillon-les!”. The semiotician among the experts

Denis Bertrand

450-464
- pdf (Français (France))
The paradoxical faces of religions

Massimo Leone

465-478
- pdf (Italiano)