L’immaginario ontologico della macchina per dipingere: Alfred Jarry, On Kawara, Nam June Paik, Michael Snow, Anish Kapoor
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Parole chiave

Machine, technology, fiction, ontology, praxeology, object, artistic creation

Come citare

Chopplet, M. (2023). L’immaginario ontologico della macchina per dipingere: Alfred Jarry, On Kawara, Nam June Paik, Michael Snow, Anish Kapoor. Teoria E Critica Della Regolazione Sociale, 2(25). Recuperato da https://mimesisjournals.com/ojs/index.php/tcrs/article/view/2629

Abstract

This article is an investigation. Alfred Jarry, poet and writer, proposes at the end of the 19th century the apocalyptic representation of a creative machine in a ruined Paris. But this vision is still partly ours. The being of this painting machine is in question. Is it a mechanic gone mad, a beast, a dehumanized double or on the contrary revealed, a demiurge? And where do these questions come from? Which scientific and technological ontological imaginary is invested there? What place does it occupy in the work of contemporary artists?

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