N. 14 (2021)

Pubblicato giugno 15, 2021

Numero 14

Romanticism and Popular Music

Donald Burke,Colin J. Campbell,Thomas Laughlin,Jonathan Luftig,Stefano Marino

Introduction: Romanticism and Popular Music

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Theodore Gracyk

Romanticism Redux: The Triumph of the Allman Brothers Band

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Colin Campbell

The Magpies, the Prize and Coleridge’s Imagination: the Creation Records Story

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Donald A. Burke

The Gothic and the Romantic in Nick Cave and the Bad Seeds

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Pippa Casey

Understanding the Ghosts of 20th Century Troubadours; Romanticising Tragedy as a Means of Grieving a Time Before Our Own

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Janneke van der Leest

The pastoral elegy rocks Shelley’s revisions of an ancient genre open the way to honour Brian Jones

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Alessandro Giorgio

“Tu con la testa, io con il cuore”: l’influenza del Romanticismo nella vita e nei testi di Piero Ciampi

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Miscellanea

Michela Sganga

La genesi dell’esperienza schizofrenica: tra costituzione e ripetizione

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Marco Piasentier

Siamo ‘macchine da sopravvivenza’? Breve riflessione sui fini e le norme di natura

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José Ortega y Gasset

“Sull’espressione, fenomeno cosmico” 1925 (Trad. a cura di Giulia Gobbi)

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Theodor W. Adorno: Dialectics, Aesthetics, Anthropology, Society

Stefano Marino,Rolando Vitali

Introduction: Theodor W. Adorno: Dialectics, Aesthetics, Anthropology, Society

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Karl-Siegbert Rehberg

Theodor W. Adorno und Arnold Gehlen: Politische Gegensätze und kulturkritisches Einverständnis

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Gerhard Schweppenhäuser

»Jenseits der ästhetischen Immanenz« Natur und Gesellschaft in Adornos Theorie des Ästhetischen

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Rolando Vitali

Theory, Praxis and the Primacy of the Object: Some Remarks on Adorno’s Conception of Dialectics

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