No. 14 (2021)

Published June 15, 2021

Numero 14

Romanticism and Popular Music

Donald Burke, Colin J. Campbell, Thomas Laughlin, Jonathan Luftig, Stefano Marino

Introduction: Romanticism and Popular Music

https://doi.org/10.7413/24208914081

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Theodore Gracyk

Romanticism Redux: The Triumph of the Allman Brothers Band

https://doi.org/10.7413/24208914082

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Colin Campbell

The Magpies, the Prize and Coleridge’s Imagination: the Creation Records Story

https://doi.org/10.7413/24208914083

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Donald A. Burke

The Gothic and the Romantic in Nick Cave and the Bad Seeds

https://doi.org/10.7413/24208914084

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Pippa Casey

Understanding the Ghosts of 20th Century Troubadours; Romanticising Tragedy as a Means of Grieving a Time Before Our Own

https://doi.org/10.7413/24208914085

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Janneke van der Leest

The pastoral elegy rocks Shelley’s revisions of an ancient genre open the way to honour Brian Jones

https://doi.org/10.7413/24208914086

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Alessandro Giorgio

“Tu con la testa, io con il cuore”: : the influence of Romanticism in the life and lyrics of Piero Ciampi

https://doi.org/10.7413/24208914087

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Miscellany

Michela Sganga

The genesis of schizophrenic experience: between constitution and repetition

https://doi.org/10.7413/24208914088

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Marco Piasentier

Are we 'survival machines'? A Brief Reflection on the Ends and Norms of Nature

https://doi.org/10.7413/24208914089

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José Ortega y Gasset

"On Expression, a Cosmic Phenomenon" 1925 (Translated by Giulia Gobbi)

https://doi.org/10.7413/24208914090

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Theodor W. Adorno: Dialectics, Aesthetics, Anthropology, Society

Stefano Marino, Rolando Vitali

Introduction: Theodor W. Adorno: Dialectics, Aesthetics, Anthropology, Society

https://doi.org/10.7413/24208914091

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Karl-Siegbert Rehberg

Theodor W. Adorno and Arnold Gehlen: Political Contradictions and Cultural Critical Agreement

https://doi.org/10.7413/24208914092

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Gerhard Schweppenhäuser

"Beyond Aesthetic Immanence" Nature and Society in Adorno's Theory of the Aesthetic

https://doi.org/10.7413/24208914093

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Rolando Vitali

Theory, Praxis and the Primacy of the Object: Some Remarks on Adorno’s Conception of Dialectics

https://doi.org/10.7413/24208914094

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