Abstract
This article examines the concept of productive imagination in the philosophies of Bachelard and Ricœur, tracing its roots to Kant’s notion of imagination as a power of the real rather than mere reproduction. Against traditional views that subordinate imagination to perception, both thinkers emphasize its creative, transformative role, especially through language and metaphor. Ricœur develops a semantic theory of metaphor that generates new meaning and reconfigures reality, while Bachelard focuses on a material and dynamic imagination rooted in lived experience and poetic language. Both converge in rejecting a simple opposition between real and unreal, proposing instead a “surreal” dimension in which imagination transfigures reality and reveals it more deeply. Ultimately, imagination is shown to possess a form of truth, capable of redescribing the world and disclosing reality as dynamic, active, and in the process of becoming.
