Temporalità e finzione secondo Bachelard

Abstract

Faced with the multiplication of pseudos forms and the absolute pervasiveness of the narrative model, the analysis of fiction carried out by Bachelard ditches the plans of the usual discussions to enter the description of fiction as an act of thought characterized by exponents of the first, of the second and third order and by a particular texture of temporality that constitutes its salient feature and explains the relationships with the ontological and cognitive level.