Cinéma & Cie

International Film Studies Journal

  • 9788869772450

  • 2035-5270

  • Annual

  • Cinema e Media

  • blind peer review

N° 32 Spring 2019

Digital version:

La versione digitale è consultabile solo online e non è scaricabile su device.

Paper version:

Articles:

Gli articoli sono consultabili solo online e non sono scaricabili su device.
Elena Gipponi, Joshua Yumibe
Cinema and Mid-Century Colour Culture. An Introduction
7-13
    € 5.00

William Carroll
The History of a Broken Blue Fusuma. Colour in Suzuki Seijun’s Nikkatsu Films
15-26
      € 5.00

Paul Firth, Keith M. Johnston, Carolyn Rickards, Sarah Street
From the Margins to the Mainstream? The Eastmancolor Revolution and Challenging the Realist Canon in British Cinema
27-38
      € 5.00


The Colour Revolution: Disney, DuPont and Faber Birren
39-52
    € 5.00

Federico Pierotti
Biopolitics of Colour in Mid-Century Italian Visual Culture. Red Desert and the ‘New Techniques of Life’
53-67
      € 5.00

Justus Nieland
Colour Communications. László Moholy-Nagy, Walter Paepcke, and the Humanities Program of Design Workshops
69-84
      € 5.00

Bregt Lameris
Hallucinating Colours. Psychedelic Film, Technology, Aesthetics and Affect
85-97
      € 5.00

Anna Caterina Dalmasso
The Body as Virtual Frame. Performativity of the Image in Immersive Environments
101-119
      € 5.00

Doron Galili
Bright Signals. A History of Color Television
123-126
 

Luisella Farinotti
The Face on Film
127-129
 

Maria Ida Bernabei
Une émotion purement visuelle. Films scientifiques entre expérimentation et avant-garde, 1904-1930
133-136
 

Sara Casoli
The forms of characters. Typologies, morphologies and relational systems in contemporary TV serial narrations
137-139
 

Mickaël Robert-Gonçalves
Portuguese cinema and Revolution (1974-1982)
141-142
 



  • Valentina Re
    Tim Bergfelder
    Gianni Canova
    Erica Carter
    Francesco Casetti
    Philippe Dubois
    Ruggero Eugeni
    Vinzenz Hediger
    Sandra Lischi
    Guglielmo Pescatore
    Leonardo Quaresima