Abstract
This article examines the relationship between Gilles Deleuze and René Thom’s catastrophe theory in order to clarify the philosophical status of morphogenesis in Deleuze’s thought. Starting from a reconstruction of structural morphogenesis as developed by Thom and extended by Jean Petitot, the article shows how this paradigm remains grounded in structural stability, topological invariance, and formal classification. Through a detailed analysis of The Fold: Leibniz and the Baroque, it argues that Deleuze neither philosophically nor epistemologically continues Thom’s mathematical project, but deliberately pushes it to its limit. At this threshold, a conception of morphogenesis without structure emerges, grounded in intensive variation, fluctuation, and continuous differentiation.
