Narrative Structure, Perceptual Stress and Meaning Effects in the Second Sequence of Saving Private Ryan

Abstract

The purpose of this article is to analyze the second sequence of Saving Private Ryan, unanimously considered a watershed and a benchmark of contemporary war cinema. Starting from a complete breakdown of this and other relevant sequences, it aims to show how the sequence has a very complex and articulated narrative structure. On the other hand, the analysis will also cover the perceptual aspects related to the viewing of the sequence, based on a theory of textual tensions and rhythms. The goal is to highlight how the narrative and perceptual levels, rather than being in competition, cooperate in the creation of the textual effect, sometimes in a complementary manner, sometimes by reinforcing each other. In the specific case of the analyzed sequence, this interaction ensures that the physical stress due to the perceptual experience generates meaning effects that are transmitted to other levels (figurative, narrative) of the text.