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Studi di Estetica

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Studi di Estetica

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Authorization
Registrazione del Tribunale di Bologna n° 6308 del 20 maggio 1994.

ISSN
0585-4733/1825-8646
Periodicity of publication
Biannual
Area of competences
Filosofia e Estetica
Peer-review
Double-blind peer review
Code of ethics

Studi di Estetica

Ethical Code

Publication ethics and malpractice statement – “Studi di estetica”

“Studi di estetica” is a peer reviewed international journal committed to upholding the highest standards of publication ethics.

These guidelines are based on existing Elsevier policies and COPE’s Best Practice Guidelines for Journal Editors

1. PUBLICATION AND AUTHORSHIP

The publication of an article in a peer-reviewed journal is an essential building block in the development of a coherent and respected network of knowledge. It is a direct reflection of the quality of the work of the authors and the institutions that support them. Peer-reviewed articles support and embody the scientific method. It is therefore important to agree upon standards of expected ethical behaviour for all parties involved in the act of publishing: the author, the journal editor, the peer reviewer, the publisher and the society.

Authors need to ensure that the submitted article is the work of the submitting author(s) and is not plagiarized, wholly or in part. They must also make sure that the submitted article is original, is not wholly or in part a re-publication of the author’s earlier work, and contains no fraudulent data.
It is also their responsibility to check that all copyrighted material within the article has permission for publication and that material for which the author does not personally hold copyright is not reproduced without permission.
Finally, authors should ensure that the manuscript submitted is not currently being considered for publication elsewhere.

2. AUTHOR’S RESPONSIBILITIES

“Studi di estetica” is a peer-reviewed journal, and Authors are obliged to participate in our double blind peer review process.
Authors need to ensure that all data in the submitted article are real and authentic. They must make sure that all authors have significantly contributed to the research submitted in the article, and that all and only the contributors to the article are listed as authors. It is their responsibility to ensure that no participants are harmed, physically or mentally, during the research which results in the article, and that personal details of the participants, where participants have not agreed for such details to be released or where the release of such details could endanger a participant, are fully anonymized. This applies both to textual citations and to images and any supplementary audio or visual material. Authors should also ensure that all authors provide retractions or corrections of mistakes.

3. PEER REVIEW AND REVIEWERS’ RESPONSIBILITIES

Both the referee and the author remain anonymous throughout the “blind” review process. Referees are selected according to their expertise in their particular fields.
Referees have a responsibility to be objective in their judgments; to have no conflict of interest with respect to the research, with respect to the authors and/or with respect to the research funders; to point out relevant published work which is not yet cited by the author(s); and to treat the reviewed articles confidentially.

4. EDITORIAL RESPONSIBILITIES

Editors hold full authority to reject/accept an article; to accept a paper only when reasonably certain; to promote publication of corrections or retractions when errors are found; to preserve anonymity of reviewers; and to have no conflict of interest with respect to articles they reject/accept. If an Editor feels that there is likely to be a perception of a conflict of interest in relation to their handling of a submission, they will declare it to the other Editors. The other Editors will select referees and make all decisions on the paper.

5. PUBLISHING ETHICS ISSUES

Members of the Editorial Board ensure the monitoring and safeguarding of the publishing ethics. This comprises the strict policy on plagiarism and fraudulent data, the strong commitment to publish corrections, clarifications, retractions and apologies when needed, and the strict preclusion of business needs from compromising intellectual and ethical standards.
Whenever it is recognized that a published paper contains a significant inaccuracy, misleading statement or distorted report, it will be corrected promptly. If, after an appropriate investigation, an item proves to be fraudulent, it will be retracted. The retraction will be clearly identifiable to readers and indexing systems.

ISSN 0585-4733
ISSN DIGITALE 1825-8646

Classe A*

La rivista attualmente è presente nell'elenco delle riviste di classe A per le aree 10 e 11 dell'Agenzia Nazionale di Valutazione del Sistema Universitario e della Ricerca (ANVUR) ai fini dell'Abilitazione Scientifica Nazionale.

Studi di Estetica

“Studi di estetica” aims at being a place of analysis and history of the aesthetic ideas, with focus on the studies and the new perspectives that are put forward in national and international sphere. This journal promote the theoretical and historiographical debate between different critical trends that animate the contemporary inquiry, foster the multidisciplinary exchanges and also develop relationships with fields kindred aesthetic philosophy.

Editorial board

Ignasi Roviró Alemany

Universitat Raimon Lull Barcelona, Spain

Arnold Berleant

Long Island University, U.S.A.

Enrico Berti

Università di Padova

Georg Bertram

Freie Universität Berlin

Fernando Bollino

Università di Bologna

Francesco Cattaneo

Università degli Studi di Bologna

Simona Chiodo

Politecnico di Milano

Annamaria Contini

Università degli Studi di Modena e Reggio Emilia

Paolo D'Angelo

Università Roma Tre

Giuseppe Di Giacomo

Università La Sapienza di Roma

Elio Franzini

Università degli Studi di Milano

Andrea Gatti

University of Ferrara

Associate Professor of Aesthetics
Modern and Contemporary English Aesthetics, Philosophy of Art, History of Art Criticism

Carlo Gentili

Università degli Studi di Bologna

Tonino Griffero

University of Rome “Tor Vergata”

Full Professor of Aesthetics
Contemporary German Philosophy, Phenomenology of the Lived-Body, Aesthetics of Atmosphere

José Jiménez

Universidad Autónoma Madrid

Luca Marchetti

Università La Sapienza di Roma

Giovanni Matteucci

University of Bologna

Full Professor of Aesthetics
Aesthetic experience, Aesthetics and Anthropology, Contemporary German and Angloamerican Philosophy

RIta Messori

Università degli studi di Parma

Martin Rueff

Université de Genève

Baldine Saint Girons

Université Paris Ouest Nanterre La Défense

Victor I. Stoichita

Université de Fribourg

Lambert Wiesing

Friedrich-Schiller-Universität Jena

Christoph Wulf

Freie Universität Berlin

Jean-Jacques Wunenburger

Université Jean-Moulin Lyon 3, France

Editorial office

Alessandro Alfieri

Università degli Studi di Roma, Italy

Alessandro Alfieri è assegnista di ricerca in Estetica presso il Dipartimento di Filosofia dell’Università “Sapienza” di Roma; dottore di ricerca in Scienza sociali e filosofiche presso l’Università di Roma Tor Vergata, è stato professore di Fotografia e nuove tecnologie visuali all’Università di Macerata, e insegna Teoria e metodo dei mass media presso l’Accademia di belle arti di Roma e Storia e critica del Cinema presso l’Upter. Collabora con diverse testate cartacee e online ed è frequentemente ospite della kermesse “Popsophia. Festival del contemporaneo” come relatore; si occupa prevalentemente di analisi della cultura di massa ed estetica dell’audiovisivo. Tra i suoi libri Vasco, il Male. Il trionfo della logica dell’identico (Mimesis, 2012); Cinema, mass media e la scomparsa della realtà. Immagini e simulacri dell’11 settembre (Alboversorio, Milano 2013); Necessità e fallimento della forma. Saggio su Adorno e l’arte contemporanea (Mimesis, Milano 2015); Musica dei tempi bui. Nuove band italiane dinanzi alla catastrofe (Orthotes, 2015); Il cinismo dei media. Desiderio, destino e religione dalla pubblicità alle serie tv (Villaggio Maori, 2017); Dal simulacro alla storia. Estetica ed etica in Quentin Tarantino (Le petite plaisance, 2018); Lady Gaga. La seduzione del mostro (Arcana, 2018).

Fabrizia Bandi

Politecnico di Milano, Italy

Fabrizia Bandi si è formata presso l’Università degli Studi di Milano e ha conseguito il titolo di dottore di ricerca in Filosofia presso l’Università degli Studi di Palermo. Dal 2016 è Professore a contratto di Aesthetics presso Politecnico di Milano. Sta svolgendo un progetto di ricerca sul tema dello spazio pubblico, presso l’Accademia di Architettura di Mendrisio, finanziato da una borsa postdottorale del Fondo Nazionale Svizzero. Nel 2018 ha pubblicato il volume dal titolo, La percezione armata. Esperienza estetica e immaginazione in Mikel Dufrenne (Mimesis). Dallo stesso anno è membro della Società italiana di Estetica e fa parte della redazione della rivista Studi di Estetica. I suoi interessi di ricerca principali riguardano l’estetica fenomenologica, le teorie dell’immagine e della rappresentazione, l’estetica dell’architettura.

Eleonora Caramelli

Università degli Studi di Bologna

Serena Feloj

University of Pavia

Adjunct Professor in Aesthetics
Kantian Philosophy, German Classical Aesthetics, Philosophy of Emotions, Analytic Aesthetics

Carlo Guareschi

Università degli Studi di Parma

Gioia Laura Iannilli

University of Rome “Tor Vergata”, University of Bologna

PhD
Everyday Aesthetics, Design Aesthetics, Fashion Aesthetics, Aestheticization Processes, Experience

Danilo Manca

Università degli Studi di Pisa

Stefano Marino

Università degli Studi di Bologna

Stefano Marino is Associate Professor of Aesthetics at the University of Bologna. His main research interests are focused on critical theory, phenomenology and hermeneutics, neopragmatism and somaesthetics, philosophy of music and aesthetics of fashion. He is the author several monographs, among which: Le verità del non-vero. Tre studi su Adorno, teoria critica ed estetica (2019), Aesthetics, Metaphysics, Language: Essays on Heidegger and Gadamer (2015), Aufklärung in einer Krisenzeit: Ästhetik, Ethik und Metaphysik bei Theodor W. Adorno (2015), La filosofia di Frank Zappa. Un’interpretazione adorniana (2014), Gadamer and the Limits of the Modern Techno-scientific Civilization (2011). He has translated from German into Italian, or from English into Italian, the following books: Th. W. Adorno, Variazioni sul jazz. Critica della musica come merce (2018), C. Korsmeyer, Il senso del gusto. Cibo e filosofia (2015), H.-G. Gadamer, Ermeneutica, etica, filosofia della storia (2014), H.-G. Gadamer, Che cos’è la verità (2012). He has published, or is currently working at, several collections (as books or special issues in journals) as co-editor, among which: Kant’s “Critique of Aesthetic Judgment” in the Twentieth Century: A Historical and Critical Comparison of Its Main Interpretations (2020: forthcoming), Adorno and Popular Music: A Constellation of Perspectives (2019), Filosofia del jazz e prassi di libertà (2018), Philosophical Perspectives on Fashion (2016), Theodor W. Adorno: Truth and Dialectical Experience (2016), Nietzsche nella Rivoluzione Conservatrice (2015), Filosofia e Popular Music (2013). He is also the author of two collections of poems: Fratture multiple alle ossa e al cuore (2019), Frammenti di agonia umananimale (2015).

Alessandro Nannini

Università degli Studi di Bologna

Marco Tedeschini

University of Rome “Tor Vergata”; eCampus University

Adjunct Professor in Aesthetics
Phenomenology, Contemporary Aesthetics, Theory of Disgust