Nr. LXI/2 (2022): Women in Controversy in Early Modern Italy. Italian Learned Ladies 1500-1700
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Nr. LXI/2 (2022)
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Women in Controversy in Early Modern Italy. Italian Learned Ladies 1500-1700
Komplette Ausgabe
pdf (Italiano)
Introduction
Emilio Maria De Tommaso, Giuliana Di Biase, Valentina Zaffino
7-10
Introduction
pdf (Italiano)
Essays
Paula Pico Estrada
11-28
Sor Tommasa Fieschi (1448-1534). The first woman who commented Dionisio Areopagita
pdf (Español (España))
Delfina Giovannozzi
29-46
“Ritratto di signora”. Tullia d’Aragona in some contemporary treatises on love
pdf (Italiano)
Alyssa M. Granacki, Dana V. Hogan
47-62
Debating as an Authority: Tullia d’Aragona’s. Authorial Self-Fashioning and the ‘Tre Corone’
pdf (English)
Eleonora Carinci
63-86
“Sempre involta nelli sacri libri e nelle cose di Platone e di Aristotele”: Sister Felice Rasponi da Ravenna between philosophy of love and querelles des femmes
pdf (Italiano)
Emilio Maria De Tommaso
87-104
The notion of “spetie humana” in the thought of Lucrezia Marinella
pdf (Italiano)
Elena Muceni
105-125
Between Libido sciendi and critique of the speculative reason: Laura Bassi and the issue of scientific authority
pdf (Français (France))
Elisabetta Selmi
127-158
Elisabetta Caminer and Melchiorre Cesarotti between Voltaire and Helvétius: new contributions to Veneto's Enlightenment
pdf (Italiano)
Miscellaneous
Simona Tiribelli
161-194
Beyond informational privacy: Freedom of choice and identity in the algorithmic profiling era
pdf (Italiano)
Reviews
Giuliano Gasparri
197-205
S. Plastina ed E.M. De Tommaso, Corpo Mente. Il dualismo e le filosofe di età moderna, Società per l’enciclopedia delle donne, Milano 2022
pdf (Italiano)
Chiara Scarlato
205-208
Camilla Erculiani, Letters on Natural Philosophy: The Scientific Correspondence of Sixteenth-Century Pharmacist with Related Text, edited by Eleonora Carinci, translated by Hannah Marcus, foreword by Paula Findlen, Iter Press, New York and Toronto 2021
pdf (English)
Authors
Autori / Authors
209-213
Biographies
pdf (Italiano)
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