The rule of feeling. The neo-baroque age as a methodological model for a semio-aesthetic

Abstract

If Omar Calabrese's book Neo-baroque: a Sign of the Times had, by hypothesis, had The Neo-baroque Aesthetics as its title, no one could have objected to a betrayal of the contents of the text. This is to say, first of all, that it is a work in which there is a great deal of content and analysis relevant to the field of aesthetics.