No 119 (2022): Emilio Garroni: un nuovo sguardo-attraverso

No 119 (2022)

Published November 2, 2022
Emilio Garroni: un nuovo sguardo-attraverso

 

January-April 2022

 

Edited by Andrea D’Ammando and Tommaso Morawski

Articles

Andrea D’Ammando, Tommaso Morawski
7-9
Introduction
pdf (Italiano)
Francesco Restuccia
11-24
The function of the imaginary. Garroni, Mannoni and the voluntary illusion
pdf (Italiano)
Antonio Valentini
25-38
Which Notion of "Myth" in Emilio Garroni's Thought? Hypotesis and perspectives
pdf (Italiano)
Andrea D'Ammando
39-54
Myth, Sense, Work: Garroni and the crisis of contemporary arts
pdf (Italiano)
Giulia Giambrone
55-68
Conceptual and Pictorial Looking Through in Emilio Garroni’s Aesthetics
pdf
Simona Donato
69-88
"What Does One Feel Being the Apple". Body and Gestural Knowledge Seen Through Contemporary Dance
pdf (Italiano)
Maurizio Ricci
89-100
Garroni and Architecture
pdf (Italiano)
Dario Cecchi
101-114
Technical Creativity and Free Schematism
pdf (Italiano)
Lorenzo Manera
115-126
The notions of creativity and meta-operativity in Emilio Garroni. Recent interpretations in the Italian aesthetic debate on technology
pdf
Giovanni Matteucci
127-140
The Critical Sense of "experience in general"
pdf (Italiano)
Maria Pignataro
141-164
Creativity, an ideal path from Emilio Garroni to Jean Piaget
pdf (Italiano)
Martino Feyles
165-180
Exemplarity and Judgement: Notes on Kantian Aesthetics
pdf (Italiano)
Luca Forgione
181-198
Emilio Garroni and the aesthetic Conceptualism in Kant’s Third Critique
pdf
Marina De Palo
199-214
Sense Horizons between Garroni and De Mauro
pdf (Italiano)
Stefano Catucci
215-230
On Transcendental Instance: Between History and Absence of History
pdf (Italiano)
Tommaso Morawski
231-246
Aesthetics and Spatiality. Garroni, Kant and Cassirer
pdf (Italiano)
Andrea D’Ammando
247-288
Comprehensive Bibliography of Emilio Garroni's Writings
pdf (Italiano)