Il cinema come macchina da guerra. Loin du Vietnam (1967)
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Come citare

Calabrò, I. (2023). Il cinema come macchina da guerra. Loin du Vietnam (1967). Mechane, (5), 95-103. Recuperato da https://mimesisjournals.com/ojs/index.php/mechane/article/view/3268

Abstract

The paper aims to analyse Loin du Vietnam (1967) as a “war machine”, investigating Godard’s Caméra-œil episode and the montage of the collective film, which combines fictional and documentary frames, to combat against the television war, images not allowing to think about Vietnam war.

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