Abstract
The essay’s fundamental aim is to propose a theory of the ludic
phenomenon grounded in a linkage between play and image. The
first part examines several classic theories of play, schematically
arranged along the subjective/objective dichotomy. After showing
the limits of both approaches, the essay outlines a media–theoretical
approach to play that charts a third way beyond subjectivism and
objectivism: the ludic phenomenon is reducible neither to a subject’s
disposition nor to a fixed set of rules, but should be described as a
specific mode of being. By reconstructing the ludic phenomenon
from the standpoint of the image, the essay clarifies how this account
differs from performative theories of the social sphere. In conclusion,
the concept of playfication is offered as a theoretical and normative
alternative to the notion of gamification.
