N. 124 (2023)

Pubblicato il maggio 25, 2024

Kant’s Theory of the Sublime and the Visual Arts

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Articles

Robert R. Clewis, Arno Schubbach

7-11

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Uygar Abaci

13-29

Kant and the Possibility of the Sublime in the Visual Arts

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Robert Clewis

31-54

Can Painting Evoke the Kantian Sublime?

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Arno Schubbach

55-77

Why Not Exactly? Revisiting the Alleged Arguments against the Artistic Sublime in Kant’s “Critique of the Aesthetic Power of Judgment”

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Johannes Grave

79-100

Duality and Temporality: Evoking the Sublime through Pictures

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Sonja Scherbaum

101-127

Evoking the Sublime in Landscape Painting: Joseph Anton Koch’s Schmadribachfall and Caspar David Friedrich’s Watzmann

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Serena Feloj

129-140

Giving Form to the Formless: from the Kantian sublime to the debate between Rosalind Krauss and Georges Didi-Huberman

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