Abstract
Liberalism has led to the domination of the economic over the political, which has divorced culture. Throughout history, first theocratic power placed art at its service; then, with the anthropocentrism of the Renaissance, man came to the center; finally, over the past two hundred years, art has freed itself, reaching the avant-garde. Today, W. Benjamin’s conceptual pairing (the aestheticization of politics, which seeks consensus in the world of images, and the politicization of art, with the new urban art) is once again relevant.
