Abstract
Aldo Gargani’s research is driven by the enigmatic specificity of the human condition, leading him towards a sophisticated and accurate phenomenology of existence. In this approach, the relationship with the ‘outside’ partially restores the value of exceeding what is necessary according to the rules. Gargani develops the theme of ‘plural rationality’ philosophically and literarily by virtue of the relationship between the excess of/in saying, which can be grasped above all in modes of narration free from the presumptuousness and violence of an immediate conferral of indisputable meaning, and the established reality of rules. This theme finds its object of investment in everything that manifests perceptual elasticity and conceptual inventiveness together.
